Page 337 of our blog posts

Why my literary journal exists

by Bronte Coates

Recently, Robyn Annear wrote an article for The Monthly which queried the purpose of Australian literary journals. In her opening remark she asked whether these publications were the hallmarks of a thriving scene or playgrounds for emerging writers. Later, she commented: ‘Depending wholly on sales and subscriptions would seem to be no way for a literary magazine to thrive.’

Such a statement brin…

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October Kids' & YA Books Round-Up

by Emily Gale

Get ready for thrills, spills (of milk and tears) and belly laughs in this month’s round-up of Children’s and YA books.

Last month’s movie opening of Percy Jackson and the Sea of Monsters, based on the second book in Rick Riordan’s bestselling series (disclaimer: “Not exactly the same as the book,” said my 9 year old daughter with a sigh), saw kids scrabbling to read more books in the seri…

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The Story of My Book: Common Stock

by Naomi Manuell

Naomi Manuell tell us how her job as a business journalist – and a fling with the poshest person she’d ever met – helped shape her first novel, Common Stock, a tale of greed, sex and financial skulduggery.

Years before I knew I was going to write a novel set in the world of finance, I worked briefly as a business journalist in London and witnessed something of the greed and amorality Common St

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The Age short story award 2013

Entries are now open for The Age short story award. This year’s prize is presented by Readings.

Entrants can submit up to three stories, each with a maximum length of 3000 words. The stories will be judged anonymously and the winner will receive $2000 plus publication. Second and third-placed writers will win $1000 and $500 respectively and their stories will also be published in The Age.

En…

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Last Week’s Top Sellers

Top of our bestsellers list for last week is David Marr with The Prince: Faith, Abuse and George Pell (as our online manager Nina says, “nobody writes a Quarterly Essay quite like Marr”) while John Safran’s true-crime book Murder in Mississippi came in at a close second.

If you’re interested in finding out more about Murder in Mississippi you can read Safran’s interview with us where he talks ab…

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Ellena Savage on reading other people’s diaries

by Ellena Savage

The main problem with feelings is that nobody wants to hear about yours. Except for me. And maybe the other literary voyeurs, whose preference is to read about your raw and pained inner life, but only if this pain of yours is elegantly expressed. For me, the best of these stylised confessions are contained in the notebooks of three great modern writers: the diaries of Sylvia Plath (1932–1963) and…

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What We’re Reading

Each week we bring you a sample of the books we’re reading, the films we’re watching, the television shows we’re hooked on or the music we’re loving.

Belle is reading The Gentlewoman

The Gentlewoman is one of my favourite magazines – there’s really nothing I don’t like about it, right down to the colour palette (think lots of Memphis-toned pastels). Published biannually, each issue observe…

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Meet the Bookseller with Ed Moreno

by Ed Moreno

We chat with Ed Moreno about Margaret Atwood’s talent for mythmaking and how Pablo Neruda’s writing prompted him to move to Central America.

Why do you work in books?

As soon as I was able to read, Dad made a chart which involved a specific reward for each book on the chart; I’d receive the reward once I’d read the book and told Dad what I thought of it. The reward usually involved more books…

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10 Writers of Companion Novels for YA Fans

by Emily Gale

Some readers stick loyally to a series while others prefer stand-alone novels, but companion novels can be a good fit somewhere in the middle - the fresh feel of a new story with the comfort of connecting characters. Here are 10 authors whose characters pop up in different stories.

1. J.D. Salinger

Salinger’s Glass family featured in several of his stories. Tavi Gevinson mentioned in he…

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What I Loved: The Idea of Perfection by Kate Grenville

by Emily Gale

My reading of Kate Grenville’s 1999 novel, the one she says brought a little-known Australian author international recognition (it won Britain’s Women’s Prize for Fiction, previously the Orange Prize), was a signifier of several new beginnings for me. It was a gift from a close friend as I was emigrating from London to live in Melbourne. This friend and I had shared a crush on Australia since we …

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