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We are proud to announce the six shortlisted titles for The Readings New Australian Fiction Prize 2017! The Readings New Australian Fiction Prize is presented for the best new contribution to Australian fiction.

Over the past year, the judges have read their way through over 70 Australian titles and were impressed by the number of edgy voices who didn’t shy away from starkly original concepts. The task of filtering the terrific longlist down to a shortlist of just six books was difficult, but in the end they considered the following books to be their top picks…

The judging panel for this year’s Prize was chaired by Gabrielle Williams (Readings Malvern) and included Ann Le Lievre (Schools & Libraries Liaison), Marie Matteson (Readings Carlton), and Annie Condon (Readings Hawthorn). Managing Director Mark Rubbo and celebrated author Christos Tsiolkas will now join the panel to select the winner from the shortlist.


Cover image for The Windy Season

The Windy Season

Sam Carmody

The Windy Season pulls the reader into a landscape which is violent, treacherous and unforgiving. 17-year-old Paul travels to a remote fishing community in search of his lost brother, and is drawn into a dangerous world. The language is immersive, the pace relentless. The Windy Season roars down and batters the senses. Unforgettable.


Cover image for Australia Day

Australia Day

Melanie Cheng

The stories that make up Australia Day illuminate the lives of characters living in modern Australia who are not typically represented. Cheng’s writing examines ethnicity and the desire to ‘belong’ in a globalised society. The variations in character and viewpoint demonstrate that there are no easy answers to modern dilemmas. Cheng is talented at both creating characters, and writing compelling literature.


Cover image for Jean Harley was Here

Jean Harley Was Here

Heather Taylor Johnson

Jean Harley is knocked down by a van as she’s riding her bike to work. Although we never meet her, we get to know her through the multiple viewpoints of friends, family, the man who drove the van, and even the family dog. While the subject matter is grim, the author maintains a light touch, infusing the book with humour, soul, and most importantly, hope.


Cover image for The Good People

The Good People

Hannah Kent

Kent demonstrates meticulous research in locating this superb novel in rural Ireland of 1825. The writing is compelling and atmospheric, and focuses on a young disabled boy being cared for by his grandmother and a teenaged servant girl, in an era where disability is shameful and hidden. Here is an accomplished storyteller, with true compassion for her characters.


Cover image for Lost Pages

The Lost Pages

Marija Peričić

An imagined memoir of Franz Kafka’s literary executor Max Brod, The Lost Pages is a psychological examination of rivalry, madness and unrequited love. The deepest of human emotions are laid bare and sifted through with a clear eye by the author. At times farcical, at other times surreal, this book is utterly unique.


Cover image for From the Wreck

From the Wreck

Jane Rawson

A truly original voice in the landscape of Australian historical fiction, From the Wreck features an alien cephalopod and a shipwreck survivor in 1850s South Australia. This novel brings the twin strands of history and trauma together in a lyrical and visceral meditation on the cost of survival.