March has arrived and with it, the mists and mellow fruitfulness of Autumn. The turn of the seasons is the perfect time to share what’s on your TBR piles – here is what’s on ours…

Nina Kenwood, marketing manager
- We Are Okay by Nina LaCour
- All That Impossible Space by Anna Morgan (June)
- The Place on Dalhousie by Melina Marchetta (April)
- Queenie by Candice Carty-Williams (April)
- City of Girls by Elizabeth Gilbert (June)
- The Flatshare by Beth O’Leary (April)

Ellen Cregan, marketing & events coordinator
- This Young Monster by Charlie Fox
- Daisy Jones and the Six by Taylor Jenkins Reid
- The White Darkness by David Grann
- The Shining Wall by Melissa Ferguson
- Witches: What Women Do Together by Sam George-Allen

Chris Gordon, events and programming manager
- Exploded View by Carrie Tiffany
- Zebra by Debra Adelaide
- How to Change Your Mind by Michael Pollan
- Memories of the Future by Siri Hustvedt

Gabrielle Williams, grants officer for the Readings Foundation
- The Library Book by Susan Orlean
- Educated by Tara Westover
- The White Album by Joan Didion
- The Largesse of the Sea Maiden by Denis Johnson
- Red Notice by Bill Browder
- Milkman by Anna Burns

Leanne Hall, author and children’s and YA specialist at Readings Kids
- Two Can Keep a Secret by Karen M. McManus
- Highway Bodies by Alison Evans
- You Must Be Layla by Yassmin Abdel-Magied
- Picture Us in the Light by Kelly Loy Gilbert
- Aurora Rising by Amie Kaufman & Jay Kristoff (May)

Jackie Tang, online bookseller
- How to Write an Autobiographical Novel by Alexander Chee
- On the Come Up by Angie Thomas
- Eileen by Ottessa Moshfegh
- The Friend by Sigrid Nunez
- Washington Black by Esi Edugyan
- The Blue Rose by Kate Forsyth (July)
- The Glad Shout by Alice Robinson

Kim Gruschow, children’s book buyer at Readings St Kilda
- The Secret of the Blue Glass by Tomiko Inui
- Swimming Against the Storm by Jess Butterworth (April)
- Baby by Annaleese Jochems
- Shit is Real by Aisha Franz
- A Massacre in Mexico by Anabel Hernandez
- Eggshell Skull by Bri Lee