Debut fiction to read this month

These outstanding debuts are written by some of the most exciting emerging voices in fiction. Explore a selection of April highlights below or browse our ongoing collection for debut fiction in 2022 here.

No Hard Feelings by Genevieve Novak

Penny can’t help but compare herself to her friends. Annie is about to be a senior associate at her law firm, Bec has just got engaged, Leo is dating everyone this side of the Yarra, and Penny is just … waiting. Waiting for Max, her on-again, off-again boyfriend, to allow her to spend the night, waiting for the promotion she was promised, waiting for her Valium to kick in. Waiting for her real life to start. Out of excuses and sick of falling behind, Penny challenges herself to turn things around, but bad habits are hard to break.


Woman, Eating by Claire Kohda

Lydia is hungry. She’s always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can’t eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs’ blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she’d anticipated.


Portrait of a Thief by Grace D. Li

Will Chen, a Chinese American art history student at Harvard, has spent most of his life learning about the West - its art, its culture, all that it has taken and called its own. He believes art belongs with its creators, so when a Chinese corporation offers him a (highly illegal) chance to reclaim five priceless sculptures, it’s surprisingly easy to say yes. Will’s crew, fellow students chosen out of his boundless optimism for their skills and loyalty, aren’t exactly experienced criminals. Each student has their own complicated relationship with China and the identities they’ve cultivated as Chinese Americans, but one thing soon becomes certain: they won’t say no.


Out There by Kate Folk

Kate Folk’s debut collection Out There deftly combines elements of science fiction, horror, and psychological realism to create implicitly political and feminist stories. A darkly comic exploration of our lives in the digital age, the collection depicts a landscape that is eminently of-the-moment, and Folk magnifies the ephemera of living with a healthy slice of absurdity.


Peach Blossom Spring by Melissa Fu

It is 1938 in China, and the Japanese are advancing. A young mother, Meilin, is forced to flee her burning city with her four-year-old son, Renshu, and embark on an epic journey across China. For comfort, they turn to their most treasured possession - a beautifully illustrated hand scroll. Its ancient fables offer solace and wisdom as they travel through their ravaged country, seeking refuge. Years later, Renshu has settled in America as Henry Dao. His daughter is desperate to understand her heritage, but he refuses to talk about his childhood. How can he keep his family safe in this new land when the weight of his history threatens to drag them down?


Memphis by Tara M. Stringfellow

Memphis is a celebration of the enduring strength of female bonds, of what we pass down, from mother to daughter. Epic in scope yet intimate in detail, it is a vivid portrait of three generations of a Southern black family, as well as an ode to the city they call home.

Cover image for No Hard Feelings

No Hard Feelings

Genevieve Novak

This item is unavailableUnavailable