Alexandra Mathew
Alexandra Mathew is from Readings Carlton.
Reviews
Chanson d’Amour by Sabine Devieilhe & Alexandre Tharaud
In Chanson d’Amour, heavenly-voiced Sabine Devieilhe takes us on a journey to France, via the music of Fauré, Ravel, Poulenc and Debussy. I know her best as an opera singer possessed of a stratospher…
Britten: Peter Grimes by Edward Gardner & Bergen Philharmonic Orchestra
To visit Benjamin Britten’s home of Aldeburgh is to enter the world of Peter Grimes. Standing on the beach, listening to the waves roll in from the North Sea, is to hear the very sound that inspired …
Schubert: Die Schone Mullerin by David Greco & Erin Helyard
Arcangelo Corelli (1653–1713) was an influential composer, and the earliest famed solely for his instrumental works. His contemporaries were (and remain) known for their vocal compositions as much as…
Corelli: Concerti Grossi, Op. 6 by Genesis Baroque, Sophie Gent & Lucinda Moon
An optimistic young wanderer happens upon a brook, which leads him to a mill, and in turn to the beautiful millers daughter – ‘die schöne mullerin’. He falls in love, but the girl’s heart belongs to…
Verdi: Otello by Jonas Kaufmann
Nowadays, it’s rare for a record company to produce a full-length studio recording of opera, but, for star tenor Jonas Kaufmann, Sony Classical makes an exception. And what a wonderful gift for opera…
Purcell: The Fairy Queen, 1692 by Gabrieli Consort & Paul McCreesh
Purcell’s semi-opera The Fairy Queen is loosely based on Shakespeare’s A Midsummer Night’s Dream: there are fairies and drunken poets; there is lust, passion, and confusion. Lovers are parted and reu…
Women of Note: A Century of Australian Composers, Volume 2
To coincide with International Women’s Day 2020, ABC Classic has released Volume 2 in the Women of Note series, featuring another impressive program of fabulous music by composers both famous and les…
Piae Cantiones by Utopia Chamber Choir & Andrew Lawrence-King
Alia Vox Diversa is a subsidiary of Jordi Savall’s label Alia Vox, and showcases performances by Savall’s colleagues and contemporaries rather than by Savall himself. Recently, the Utopia Chamber Cho…
Pavarotti
Travelling in a tinny through the Amazon jungle, Pavarotti makes a pilgrimage to a boarded-up opera house where Enrico Caruso supposedly performed. Once inside and onstage, he lets loose his inimitab…
Aquarelles: Debussy & Hahn by Siobhan Stagg & Noga Quartet
Admired for her beautiful lyric voice and impressive vocal range, Debussy dedicated his song cycle Ariettes oubliées (‘forgotten songs’) to Scottish soprano Mary Garden, for whom he also composed the…
Antonio Vivaldi: Juditha Triumphans
The plot of Vivaldi’s Juditha Triumphans – ‘Judith the Triumphant’ – is gruesome: barbaric Assyrian general Holofernes invades Judea, and in retaliation the virtuous Judith beheads him. It is an unus…
Libertà!: Mozart & the Opera
Between composing Die Entführing aus dem Serail in 1782 and the first of his Da Ponte operas in 1786, Mozart experienced a great deal of change and upheaval. He had moved from Salzburg to Vienna – aw…
MARI by Mari Samuelsen
In our busy lives, we long to feel grounded. MARI – Norwegian violinist Mari Samuelsen’s first solo recording for Deutsche Grammophon – is an ‘urge to live slow … to keep yourself, your life and your…
Maddalena and the Prince by Maddalena del Gobbo
Maddalena and the Prince is the second of Maddalena del Gobbo’s concept albums for Deutsche Gramophon, following on from Henriette: the Princess of the Viol – a disc of viola da gamba music originall…
Lieder: Brahms, Schumann, Mahler by Renee Fleming
Schumann’s Frauenliebe und –leben was groundbreaking: it was the first song cycle composed to be sung by a woman and from her perspective. As the title indicates, the cycle follows the life and love …
Mozart: Le Testament Symphonique by Le Concert Des Nations
During the summer of 1788, aged only thirty-two, Mozart achieved a monumental feat of compositional greatness: in just one and a half months, he completed symphonies 39, 40 and 41, to which he referr…
Il Giardino Dei Sospiri by Magdalena Kozena, Collegium 1704 and Václav Luks
Magdalena Kožená’s silvery mezzo soprano voice is a fascinating one: she possesses a bright upper register befitting a coloratura soprano, and a rich, penetrative depth throughout her range which all…
Gounod: Symphonies Nos. 1 & 2 Iceland Symphony Orchestra & Yan Pascal Tortelier
Being so opera-centric as I am, it was not until this CD fell into my hands that I discovered Gounod was in fact a great symphonist. Under the baton of Yan Pascal Tortelier, the Iceland Symphony Orch…
Liszt’s Italian Pilgrimage by Tristan Lee
Melbourne’s own Tristan Lee recently emerged from a PhD, for which he was researching the music of Beethoven and Liszt. His recording of Liszt’s Années de pèlerinage: Deuxième année: Italie (Years of…
Florence Beatrice Price: Symphonies 1 & 4 by John Jeter & Fort Smith Symphony
Florence Price, the first African American woman to gain recognition as a symphonic composer, was remarkable. Celebrated contralto Marian Anderson championed and recorded Price’s vocal music, and, in…
In Circles by Amy Dickson
I used to have little interest in classical saxophone repertoire, until one day, in Paris, I was walking through a deserted passageway, and I heard a most beautiful, soulful sound reverberating aroun…
Elles by Marina Thibeault & Marie-Eve Scarfone
In a similar vein to Women of Note, and again to coincide with International Women’s Day, French-Canadian violist Marina Thibeault has released an album featuring chamber music by some of the most fa…
The Parisian by Isabella Hammad
It is 1914, and Midhat Kamal has travelled from Palestine to France to study medicine at the University of Montpellier. He is billeted with the Molineu family (Frédéric, father and academic; and Jean…
Women of Note: A Century of Australian Composes by ABC Classics
2019 has seen a welcome proliferation of recordings featuring music by women. Although for a long time musical women were actively discouraged from composing and audiences were less willing to open t…
Britten: Hymn to St Cecilia by Justin Doyle & RIAS Kammerchor
Benjamin Britten was just twenty-nine when his Hymn to St Cecilia premiered on 22 November, 1942 – the feast day of St Cecilia, patron saint of music, and Britten’s birthday. He had returned to Engla…
Ibn Battuta: The Traveler of Islam by Jordi Savall & Hesperion XXI
Recorded over two years and across two countries, Ibn Battuta: Traveller of Islam tells the story of the travels of the great Muslim Moroccan scholar of the same name. In the fourteenth century, over…
Handel: Italian Cantatas by Sabine Devieihe & Lea Desandre
The violent and confronting tale of Lucretia’s rape at the hands of the evil Tarquinius has, for reasons I’d rather not ponder, inspired countless works of great art. Paintings, plays, narrative poem…
Schmelzer: The Emperor’s Fiddler
Relatively little is known about Austrian composer Johann Heinrich Schmelzer (1623–1680), despite being described during his lifetime as ‘the famous and just about foremost violinist of all Europe’. …
Into the Fire: Live at Wigmore Hall
For me, the drawcard of mezzo-soprano Joyce DiDonato’s latest album, recorded live in Wigmore Hall, is not Jake Heggie’s song cycle Into the Fire, but DiDonato’s moving Richard Strauss interpretation…
Calling the Muse: Old & New Pieces for Theorbo
Bruno Helstroffer is a master theorbist. In Calling the Muse he draws on his experience as blues guitarist and early music specialist, depicting a broad landscape for the repertoire of his instrument…
News
The best classical albums of 2019
Mari – Norwegian violinist Mari Samuelsen’s first solo recording for Deutsch…
The best classical CDs of 2018
In re:member, Ólafur Arnalds blends ambient and contemporary classical music…
The best classical CDs of 2016
South African soprano Pumeza Matshikiza is one to watch. Her first album Voic…
The best classical CDs of 2015
Here are our top ten classical CDs of the year, voted for by Readings' staff. Displayed in no particular order.
Max Richter: The Blue Notebooks by Max RichterThe Blue Notebooks, a tenth anniversary rerelease of Max Richter’s second album, is breathtaking. Richter cites Sigur Rós as an influence, evident in the meditative ‘Horizon Variations’. This, along with tracks such as ‘Written on the…
Meet the bookseller with Alexandra Mathew
Why do you work in books and music?
My primary area of interest and knowledge is in classical music, but I also happen to love reading, so the two go together nicely. It’s a privilege to share my love of books and music with like-minded people.
What book or music would you happily spend a weekend indoors…
