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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This latest book by Jonas Zdanys presents lyrical narrative poems that speak through vivid multi-sensual imagery and the textured language of a master poet to present a resonant interplay of poetry and painting. Written in the galleries of the New Britain Museum of American Art, the poems in this volume are not just commentaries on the framed works in those galleries. They are, most essentially, expressions of the poet's commitment to hear and to extend the stories those paintings tell, and to do so by creating parallel texts in these pages -- paintings in words that absorb and expand the paintings in pigments. This book is a masterful example of ekphrasis at its best -- a mature aesthetic vision, a chronicle of what the poet has seen and imagined at the Museum, presented through varied perspectives and voices.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This latest book by Jonas Zdanys presents lyrical narrative poems that speak through vivid multi-sensual imagery and the textured language of a master poet to present a resonant interplay of poetry and painting. Written in the galleries of the New Britain Museum of American Art, the poems in this volume are not just commentaries on the framed works in those galleries. They are, most essentially, expressions of the poet's commitment to hear and to extend the stories those paintings tell, and to do so by creating parallel texts in these pages -- paintings in words that absorb and expand the paintings in pigments. This book is a masterful example of ekphrasis at its best -- a mature aesthetic vision, a chronicle of what the poet has seen and imagined at the Museum, presented through varied perspectives and voices.