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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"Self Portrait in a Dark Room" explores how individual moments of awareness can be connected to create a life story. These poems have an ekphrastic impulse - many of them are based on the paintings, drawings, and words of Vincent van Gogh - but a better of reading them would be as improvisations on themes: presence, absence, pain, love, and how we "spill our light" in the world. The speaker is various. Sometimes the poet, sometimes the painter - and sometimes a mixture of the two. And although the book tells a story, "getting / it right wasn't the point." The reader is invited to be a participant, not merely a spectator, in the recreation of the larger artistic narrative.
(Poems entirely in quotes, and all quoted sections within poems, are taken directly from Van Gogh's letters, as published in Dear Theo, edited by Irving Stone. Other poems freely borrow Van Gogh's language, ideas and images.)
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"Self Portrait in a Dark Room" explores how individual moments of awareness can be connected to create a life story. These poems have an ekphrastic impulse - many of them are based on the paintings, drawings, and words of Vincent van Gogh - but a better of reading them would be as improvisations on themes: presence, absence, pain, love, and how we "spill our light" in the world. The speaker is various. Sometimes the poet, sometimes the painter - and sometimes a mixture of the two. And although the book tells a story, "getting / it right wasn't the point." The reader is invited to be a participant, not merely a spectator, in the recreation of the larger artistic narrative.
(Poems entirely in quotes, and all quoted sections within poems, are taken directly from Van Gogh's letters, as published in Dear Theo, edited by Irving Stone. Other poems freely borrow Van Gogh's language, ideas and images.)