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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The objective of this book is to disseminate the rich history of the guitar in Latin America, with special emphasis on Mexico, covering a period that goes from the viceregal age to the present day. The collaborators are some of the most outstanding guitarists and researchers of the instrument from Chile, Mexico, Guatemala and the United States. The chapters aim to explore the composers, performers, repertoire and construction of the guitar since the sixteenth century in Latin America and the US, but also to comprehend the social role and economic ecosystem of the instrument. Due to the long chronology proposed, the book not only deals with the modern guitar, but also with the baroque guitar, and there is even a chapter dedicated to the traditional instruments that have historically been heirs to the Spanish guitar. The originality of this work resides in the use of historical and humanistic tools. It is based on a current bibliography, and it is one of the first books published in English on the history of the guitar in Latin America.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The objective of this book is to disseminate the rich history of the guitar in Latin America, with special emphasis on Mexico, covering a period that goes from the viceregal age to the present day. The collaborators are some of the most outstanding guitarists and researchers of the instrument from Chile, Mexico, Guatemala and the United States. The chapters aim to explore the composers, performers, repertoire and construction of the guitar since the sixteenth century in Latin America and the US, but also to comprehend the social role and economic ecosystem of the instrument. Due to the long chronology proposed, the book not only deals with the modern guitar, but also with the baroque guitar, and there is even a chapter dedicated to the traditional instruments that have historically been heirs to the Spanish guitar. The originality of this work resides in the use of historical and humanistic tools. It is based on a current bibliography, and it is one of the first books published in English on the history of the guitar in Latin America.