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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book is about performing a single mentalism effect...with a Christian theme...in a public performance. This contrasts with Gospel Magic in at least three ways.
First, a Gospel Magic performance may feature religious themes in all of the effects.
Second, Gospel Magicians typically engage church or para-church1 audiences, but many Christian performers typically engage audiences in the wider public community.
Third, public Christian mentalism contrasts with some of gospel magic in another way. A public effect is not designed around a plan of salvation, or to "sell" people on the faith. A public performance, as I define it, presents some theme or idea within Christianity's "worldview." The audience learns something about how Christianity views reality.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book is about performing a single mentalism effect...with a Christian theme...in a public performance. This contrasts with Gospel Magic in at least three ways.
First, a Gospel Magic performance may feature religious themes in all of the effects.
Second, Gospel Magicians typically engage church or para-church1 audiences, but many Christian performers typically engage audiences in the wider public community.
Third, public Christian mentalism contrasts with some of gospel magic in another way. A public effect is not designed around a plan of salvation, or to "sell" people on the faith. A public performance, as I define it, presents some theme or idea within Christianity's "worldview." The audience learns something about how Christianity views reality.