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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One day the king’s men are out hunting and find Igreka, starving and neglected to such a degree that they are unsure whether he is human or animal. Igeraka soon falls in love with the king’s daughter, Nyangunga, who according to some, marries a beast. The author’s concern is how to present the story telling it from three different perspectives. First Nyangunga’s father, the king, gives an account; the middle part of the story is told by Bubi, a second daughter who lets events speak for themselves, concealing herself, her age and gender, as narrator. Finally Nyangunga’s mother describes her daughter’s fate from a less compromising, feminist perspective.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One day the king’s men are out hunting and find Igreka, starving and neglected to such a degree that they are unsure whether he is human or animal. Igeraka soon falls in love with the king’s daughter, Nyangunga, who according to some, marries a beast. The author’s concern is how to present the story telling it from three different perspectives. First Nyangunga’s father, the king, gives an account; the middle part of the story is told by Bubi, a second daughter who lets events speak for themselves, concealing herself, her age and gender, as narrator. Finally Nyangunga’s mother describes her daughter’s fate from a less compromising, feminist perspective.