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The present volume comprises thirteen of the papers delivered at RICAN 5, which was held in Rethymnon, Crete, on May 25-26,2009. The theme of the volume, ‘ The Construction of the Real and the Ideal in the Ancient Novel,’ allows the contributors the freedom to use their skills to examine the real and the ideal either individually or in conjunction or in interaction.
The papers offer a wide and rich range of perspectives: a political reading of prose
fiction in Late Period Egypt (Selden); the presence of robbers and murderers in ideal
fiction (Dowden); the interaction between illusion and reality in novelistic ekphrasis (Zeitlin); divine loves as real precedents for human loves (Rosati); comical elements in Heliodorus’ Aethiopika (Doody);myths as paradigms for the inexperienced lovers in the Greek novels (Letoublon); moral ideas in the Odyssey and the Greek novels in relation to moralizing interpretations of Homer (Montiglio); the reality of the basic plot of Callirhoe in the light of historical events and Aristotle’s Poetics (Paschalis); the interaction between fictionality and reality in Daphnis and Chloe (Bowie); entrapment and insu fficient understanding of reality in the Satyrica (Labate); fantasy, physical and ideal landscapes in Apuleius’ Metamorphoses (Koenig); bridging the gap between Photis (real) and Isis (ideal) in Apuleius (Carver); the gendered aesthetics of the Greek novels viewed through the lens of the mimetic theory of Dionysius of Halicarnassus (Whitmarsh).
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The present volume comprises thirteen of the papers delivered at RICAN 5, which was held in Rethymnon, Crete, on May 25-26,2009. The theme of the volume, ‘ The Construction of the Real and the Ideal in the Ancient Novel,’ allows the contributors the freedom to use their skills to examine the real and the ideal either individually or in conjunction or in interaction.
The papers offer a wide and rich range of perspectives: a political reading of prose
fiction in Late Period Egypt (Selden); the presence of robbers and murderers in ideal
fiction (Dowden); the interaction between illusion and reality in novelistic ekphrasis (Zeitlin); divine loves as real precedents for human loves (Rosati); comical elements in Heliodorus’ Aethiopika (Doody);myths as paradigms for the inexperienced lovers in the Greek novels (Letoublon); moral ideas in the Odyssey and the Greek novels in relation to moralizing interpretations of Homer (Montiglio); the reality of the basic plot of Callirhoe in the light of historical events and Aristotle’s Poetics (Paschalis); the interaction between fictionality and reality in Daphnis and Chloe (Bowie); entrapment and insu fficient understanding of reality in the Satyrica (Labate); fantasy, physical and ideal landscapes in Apuleius’ Metamorphoses (Koenig); bridging the gap between Photis (real) and Isis (ideal) in Apuleius (Carver); the gendered aesthetics of the Greek novels viewed through the lens of the mimetic theory of Dionysius of Halicarnassus (Whitmarsh).