Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The note book of an English opium-eater examines violent spectacle, psychological darkness, and cultural reaction to crime through a philosophical lens. In this early section, the author reflects on a series of historical murders, dissecting the fascination they inspired among the public and within himself. Through intricate commentary, the text questions the boundary between horror and fascination, drawing attention to how acts of violence are mythologized and aestheticized. The account of the murders is delivered with disturbing detail, emphasizing not just the crime but the unfolding public response fear, rumor, media portrayal, and the broader social panic. The murderer is analyzed as more than a criminal, becoming a symbol for examining the grotesque intersections between brutality and beauty. De Quincey uses these real events to explore deeper psychological territories, contemplating why society is drawn to such morbid narratives and how personal memory and moral reflection shape our understanding of them. These early pages construct a framework for the essays to come, where literary meditation is intertwined with a dark fascination with suffering and human complexity.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The note book of an English opium-eater examines violent spectacle, psychological darkness, and cultural reaction to crime through a philosophical lens. In this early section, the author reflects on a series of historical murders, dissecting the fascination they inspired among the public and within himself. Through intricate commentary, the text questions the boundary between horror and fascination, drawing attention to how acts of violence are mythologized and aestheticized. The account of the murders is delivered with disturbing detail, emphasizing not just the crime but the unfolding public response fear, rumor, media portrayal, and the broader social panic. The murderer is analyzed as more than a criminal, becoming a symbol for examining the grotesque intersections between brutality and beauty. De Quincey uses these real events to explore deeper psychological territories, contemplating why society is drawn to such morbid narratives and how personal memory and moral reflection shape our understanding of them. These early pages construct a framework for the essays to come, where literary meditation is intertwined with a dark fascination with suffering and human complexity.