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The Dutch West India Company - active in Brazil, the Caribbean, North America, and West Africa - has received little art historical attention compared to the considerable scholarship about the Dutch East India Company. Terming the network of outposts connected by their activities the "Dutch Americas", this issue of the NKJ seeks to account for the material histories undergirded by the activities managed by the Dutch in the Atlantic world. The volume offers new narratives for familiar artists like Frans Post and Albert Eckhout; interrogates the relationship of understudied geographies and corresponding trade goods to art produced in this period; and integrates perspectives of Indigenous and African makers and viewers.
Contributors include: Carrie Anderson, Adam Eaker, Aaron M. Hyman, Carolina Monteiro, Stephanie Porras, Hannah Prescott, Margaux Shraiman, Margot Steurbaut, Jeroen van den Hurk, Michiel van Groesen, Angela Vanhaelen, Edward Wouk, and Rebecca Zorach
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The Dutch West India Company - active in Brazil, the Caribbean, North America, and West Africa - has received little art historical attention compared to the considerable scholarship about the Dutch East India Company. Terming the network of outposts connected by their activities the "Dutch Americas", this issue of the NKJ seeks to account for the material histories undergirded by the activities managed by the Dutch in the Atlantic world. The volume offers new narratives for familiar artists like Frans Post and Albert Eckhout; interrogates the relationship of understudied geographies and corresponding trade goods to art produced in this period; and integrates perspectives of Indigenous and African makers and viewers.
Contributors include: Carrie Anderson, Adam Eaker, Aaron M. Hyman, Carolina Monteiro, Stephanie Porras, Hannah Prescott, Margaux Shraiman, Margot Steurbaut, Jeroen van den Hurk, Michiel van Groesen, Angela Vanhaelen, Edward Wouk, and Rebecca Zorach