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This volume deals with the architectural history of the theatre in Roman Palestine and Provincia Arabia, a region which comprised a Jewish, Nabataean and Hellenized population but lacked any tradition of classical theatre. The earliest examples, erected by Herod, were actually a foreign imposition upon the landscape of Judea, while the theatres built in the Nabataean kingdom provided no more than an architectural setting for activities which were often unrelated to theatre in the accepted sense. When the Hellenized cities in the region began building their theatres, classical plays were already disappearing from the stage throughout the Roman world, their place taken by lighter, less select forms of public entertainment. This text also offers an architectural analysis of each of the 30 theatres so far uncovered in the area.
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This volume deals with the architectural history of the theatre in Roman Palestine and Provincia Arabia, a region which comprised a Jewish, Nabataean and Hellenized population but lacked any tradition of classical theatre. The earliest examples, erected by Herod, were actually a foreign imposition upon the landscape of Judea, while the theatres built in the Nabataean kingdom provided no more than an architectural setting for activities which were often unrelated to theatre in the accepted sense. When the Hellenized cities in the region began building their theatres, classical plays were already disappearing from the stage throughout the Roman world, their place taken by lighter, less select forms of public entertainment. This text also offers an architectural analysis of each of the 30 theatres so far uncovered in the area.