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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Ruins of a Dream is the result of research conducted between 2015 and 2016 on the novel El hombre que amaba a los perros (2009), by Cuban author Leonardo Padura. In a formal analysis of this work, the research looked at the position of its narrators, the construction of its characters and the structuring of its plot, understanding its literary functioning as a cultural symptom of contemporary consumer society. Thus, the pastiche of noir detective literature engendered by the author was discussed, as well as his non-realistic ways of figuring the story, situating the book in the midst of the aesthetic and ideological panorama of post-modernity. The aim was to clarify the dialectical relationship between the novel's narrative form and Cuba's current process of historical transition - which is leading the island towards integration into the world system of late capitalism.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Ruins of a Dream is the result of research conducted between 2015 and 2016 on the novel El hombre que amaba a los perros (2009), by Cuban author Leonardo Padura. In a formal analysis of this work, the research looked at the position of its narrators, the construction of its characters and the structuring of its plot, understanding its literary functioning as a cultural symptom of contemporary consumer society. Thus, the pastiche of noir detective literature engendered by the author was discussed, as well as his non-realistic ways of figuring the story, situating the book in the midst of the aesthetic and ideological panorama of post-modernity. The aim was to clarify the dialectical relationship between the novel's narrative form and Cuba's current process of historical transition - which is leading the island towards integration into the world system of late capitalism.