Die Mutter-Tochter-Beziehung in Elfriede Jelineks Die Klavierspielerin
Yeble Christelle Andrea Bedi
Die Mutter-Tochter-Beziehung in Elfriede Jelineks Die Klavierspielerin
Yeble Christelle Andrea Bedi
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In einer reinen feministischen Perspektive konzipiert sich Gewalt als das Handeln des mannlichen Subjekts auf die Frau. Die Wahrheit dieser Vorstellung, bes. heutzutage lasst sich uber keinen Einwand ergehen. Diese Gewalt klar psychisch nimmt andere Gewaltformen diesmal empfindliche in sich hinein, die an den Frauen- bzw.. Mutter Kohut- Erika-Beziehungen in Die Klavierspielerin Elfriede Jelineks teilnehmen koennten.
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