Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
A photobook The Chips: Ukrainian Na?ve Mosaics of the 1950-90s by photographer Yevgen Nikiforov and art historian Polina Baitsym records a vanishing phenomenon on the periphery of art and public life. The archive, collected between 2013 and 2023 and conceived as a book in 2019, presents mosaics by unknown authors in a state of half-decay-when they have already lost their initial glow, are decaying, or are disappearing into the lower layers of facades and city panoramas. Naive mosaics are often a mundane backdrop for local residents, or an uncomfortable and problematic material for the transformation process of public spaces. The book focuses on them as a phenomenon that raises questions about memory and space, past and present, self-expression and imitation, and captures the fragility of the monumental, which, like chips, eventually became crumbs at the bottom of the package.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
A photobook The Chips: Ukrainian Na?ve Mosaics of the 1950-90s by photographer Yevgen Nikiforov and art historian Polina Baitsym records a vanishing phenomenon on the periphery of art and public life. The archive, collected between 2013 and 2023 and conceived as a book in 2019, presents mosaics by unknown authors in a state of half-decay-when they have already lost their initial glow, are decaying, or are disappearing into the lower layers of facades and city panoramas. Naive mosaics are often a mundane backdrop for local residents, or an uncomfortable and problematic material for the transformation process of public spaces. The book focuses on them as a phenomenon that raises questions about memory and space, past and present, self-expression and imitation, and captures the fragility of the monumental, which, like chips, eventually became crumbs at the bottom of the package.