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During the 1950s and 60s, the American art scene flourished with a vitality and originality that had significance far beyond the borders of the United States. The American breakthrough started with the so-called Abstract Expressionist movement of the New York School, which was succeeded by new generations of artists and new movements such as Neo-Dada, Hard Edge, Pop Art and Minimalism. This catalogue considers a marginalized and overlooked aspect of American art during these important decades: the strong interest in printmaking that emerged among many artists in the years from around 1960 onwards. The catalogue text discusses works by artists, including Louise Bourgeois, Helen Frankenthaler, Jasper Johns, Donald Judd, Ellsworth Kelly, Willem de Kooning, Roy Lichtenstein, Agnes Martin, Bruce Nauman, Barnett Newman, Robert Rauschenberg, Ed Ruscha, Frank Stella and Andy Warhol.
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During the 1950s and 60s, the American art scene flourished with a vitality and originality that had significance far beyond the borders of the United States. The American breakthrough started with the so-called Abstract Expressionist movement of the New York School, which was succeeded by new generations of artists and new movements such as Neo-Dada, Hard Edge, Pop Art and Minimalism. This catalogue considers a marginalized and overlooked aspect of American art during these important decades: the strong interest in printmaking that emerged among many artists in the years from around 1960 onwards. The catalogue text discusses works by artists, including Louise Bourgeois, Helen Frankenthaler, Jasper Johns, Donald Judd, Ellsworth Kelly, Willem de Kooning, Roy Lichtenstein, Agnes Martin, Bruce Nauman, Barnett Newman, Robert Rauschenberg, Ed Ruscha, Frank Stella and Andy Warhol.