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Consacree a la publication d'etudes sur le theatre de la Renaissance europeenne - et d'abord anglaise - et sur la culture qui le nourrit, la collection THETA se veut lieu de rencontre et de debat, accueillant sans exclusive toutes les approches. Les onze essais de ce troisieme volume consacre a l'emotion au theatre cherchent dans le texte dramatique et ses prolongements spectaculaires les sources et modalites de l'impact thymique que le critique est en droit de presumer chez le spectateur des pieces etudiees. Meme lorsque demeure pose l'epineux probleme des interactions entre texte dramatique et texte spectaculaire, ils proposent des lumieres originales sur themes et elements formels ou s'enracinent les affects, dans des pieces qui vont du theatre medieval a celui des elisabethains. Dedicated to the study of the drama of the English - and European - Renaissance and the culture in which it is rooted, the THETA series aims to be a forum for exchange and debate. In this third volume of the collection, eleven studies investigate ways of understanding how emotion works in the theatre. Even when not addressing the riddle of how the dramatic and the performance text achieve their joint impact, these readings shed original light on themes and formal elements that shape and convey the affects which these critics feel can be assumed in the spectator of plays ranging from the so-called medieval drama to that of the Elizabethan period.
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Consacree a la publication d'etudes sur le theatre de la Renaissance europeenne - et d'abord anglaise - et sur la culture qui le nourrit, la collection THETA se veut lieu de rencontre et de debat, accueillant sans exclusive toutes les approches. Les onze essais de ce troisieme volume consacre a l'emotion au theatre cherchent dans le texte dramatique et ses prolongements spectaculaires les sources et modalites de l'impact thymique que le critique est en droit de presumer chez le spectateur des pieces etudiees. Meme lorsque demeure pose l'epineux probleme des interactions entre texte dramatique et texte spectaculaire, ils proposent des lumieres originales sur themes et elements formels ou s'enracinent les affects, dans des pieces qui vont du theatre medieval a celui des elisabethains. Dedicated to the study of the drama of the English - and European - Renaissance and the culture in which it is rooted, the THETA series aims to be a forum for exchange and debate. In this third volume of the collection, eleven studies investigate ways of understanding how emotion works in the theatre. Even when not addressing the riddle of how the dramatic and the performance text achieve their joint impact, these readings shed original light on themes and formal elements that shape and convey the affects which these critics feel can be assumed in the spectator of plays ranging from the so-called medieval drama to that of the Elizabethan period.