Tanaka Yasuo’s Nantonaku, kurisutaru (Somehow, Crystal, 1980) and Yoshimoto Banana’s Kitchin (Kitchen, 1987) have been denigrated as em-ble-matic of a so-called bastardized line of Japanese literature, characterized by an un-abashed celebration of a late-capitalist consumerist ethos. Close rea-dings of these works are undertaken in order to demonstrate that, while these works are reflective of late-capitalist postmodern Japan (the de-ve-lop-ment of which is delineated prior to the readings), they nonetheless posit uniquely post-modern strategies for critically engaging issues of identity for-ma-tion and main-tenance, and the creation of meaning as they appear in the con-temporary Japanese socio-cultural nexus. I argue that if such strategies are not immedi-ately apparent, it is because they hold to what critic Fredric Jameson, in his dis-cussion of the requisites for a new political art, calls the truth of postmo-dernism. This work will interest those concerned with postwar and contemporary Japa-nese culture, society and literature, as well as those engaged in the study of global culture.