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An exploration of what Daniel Buren referred to as the frames of art
Swedish curator and art critic Daniel Birnbaum (born 1963) has pushed the boundaries of the exhibition space like no other, continuously finding new ways in which to frame art. This volume gathers his essays and conversations proposing curatorial approaches to education, exhibition-making and the presentation of collections.
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An exploration of what Daniel Buren referred to as the frames of art
Swedish curator and art critic Daniel Birnbaum (born 1963) has pushed the boundaries of the exhibition space like no other, continuously finding new ways in which to frame art. This volume gathers his essays and conversations proposing curatorial approaches to education, exhibition-making and the presentation of collections.