Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Paderborn, course: Ian McEwan, 18 entries in the bibliography, language: English, comment: In this thesis Ansgar Nunning’s concept of multiperspectival narration is applied to Ian McEwan’s Atonement in great detail. Hence, the thesis is of interest to everybody who is concerned with perspective or multiperspectivity in narrations as well as students of Ian McEwan’s work., abstract: In this thesis Ansgar Nunning’s concept of multiperspectival narration is applied to Ian McEwan’s Atonement in great detail. Hence, the thesis is of interest to everybody who is concerned with perspective or multiperspectivity in narrations as well as students of Ian McEwan’s work. In post-modern english literature, Ian McEwan has received considerable attention from critics and scholars and his writing is certainly most noteworthy. In his best-selling novel Atonement, McEwan employs a multitude of subjective perspectives which is not only a key element for suspense and understanding the plot but also an instrument of reception control. In order to gain access to the narrational strategies of the novel and for a deeper understanding of McEwan’s perfect controll of narratological and stylistic devices, Ansgar and Vera Nunning’s concept to analyze multiperspectivity in narration is applied to Atonement. Although A. and V. Nunning’s concept augments modern narratology with an extraordinary instrument to analyze perspectivity, it lacks application so far. Ian McEwan’s Atonement provides an excellent field for exploring multiperspectivity. So this essay will use A. and V. Nunning’s categories in order to analyze the structure of perspectives and its controlling functuin in McEwan’s Atonement. Therefore, the general concept of A. and V. Nunning concerning multiperspectivity is introduced at first. It is necessary to have a close look at form
