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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Visual images and imagery, optical metaphors and iconic quotations are common features in the literary work of Antonio Tabucchi, along with references to the world of painting, photography, and cinema. This book explores the iconic temptation of the Italian author, pointing out his visual strategies of representation and poetic thought. By focusing on the visual intertextuality of his fiction, it discusses questions of style and content whilst also emphasizing the role of images as a privileged means of narrative knowledge and philosophical insight. Drawing on the visual studies and on postmodernist theory and criticism, this study offers a comprehensive inquiry into the visual poetics of one of Europe’s most innovative writers.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Visual images and imagery, optical metaphors and iconic quotations are common features in the literary work of Antonio Tabucchi, along with references to the world of painting, photography, and cinema. This book explores the iconic temptation of the Italian author, pointing out his visual strategies of representation and poetic thought. By focusing on the visual intertextuality of his fiction, it discusses questions of style and content whilst also emphasizing the role of images as a privileged means of narrative knowledge and philosophical insight. Drawing on the visual studies and on postmodernist theory and criticism, this study offers a comprehensive inquiry into the visual poetics of one of Europe’s most innovative writers.