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The third edition of Heine’s lyric collection Neue Gedichte (1852) has generally been neglected by the critics because of its apparent lack of coherence. The study by Jerold Wikoff shows, however, that the form and content of the collection is a direct expression of Heine’s development from a romantic to a political poet.
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The third edition of Heine’s lyric collection Neue Gedichte (1852) has generally been neglected by the critics because of its apparent lack of coherence. The study by Jerold Wikoff shows, however, that the form and content of the collection is a direct expression of Heine’s development from a romantic to a political poet.