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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Julia Franck, winner of the 2007 German Book Prize for Die Mittagsfrau (The Blind Side of the Heart), puts the experience of women - and mothers - at the core of her novels and short stories. This study, the first book exclusively about Franck, addresses the various roles that women play in her oeuvre: lovers, daughters, mothers, and sisters. With an eye to the way these roles are influenced by and connected to domestic space, the author examines the desire for intimacy and connection that motivates Franck’s characters. Drawing on theories of both performance and performativity, the author argues that Franck creates these identities as mutable and changeable, in effect opening up women’s roles for resignification in an age of renewed feminist inquiry.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Julia Franck, winner of the 2007 German Book Prize for Die Mittagsfrau (The Blind Side of the Heart), puts the experience of women - and mothers - at the core of her novels and short stories. This study, the first book exclusively about Franck, addresses the various roles that women play in her oeuvre: lovers, daughters, mothers, and sisters. With an eye to the way these roles are influenced by and connected to domestic space, the author examines the desire for intimacy and connection that motivates Franck’s characters. Drawing on theories of both performance and performativity, the author argues that Franck creates these identities as mutable and changeable, in effect opening up women’s roles for resignification in an age of renewed feminist inquiry.