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For Maurice Maeterlinck, the theatricality of a work must be dramatised so that the spectacle of the poem emerges. That is what is at stake in writing which places the question of the representable centre-stage in theatre, to the extent that the articulation between saying and showing becomes problematic.
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For Maurice Maeterlinck, the theatricality of a work must be dramatised so that the spectacle of the poem emerges. That is what is at stake in writing which places the question of the representable centre-stage in theatre, to the extent that the articulation between saying and showing becomes problematic.