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With La Tragedie de Chabot (1639), George Chapman chose an episode from the reign of Francois I which enabled him to re-examine the relations between monarch and favourite in a context where absolutism was upheld by trials exposing the arbitrariness of reason of State.
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With La Tragedie de Chabot (1639), George Chapman chose an episode from the reign of Francois I which enabled him to re-examine the relations between monarch and favourite in a context where absolutism was upheld by trials exposing the arbitrariness of reason of State.