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This work studies the meaning and manifestations of the art ofmise en scenein post-Revolutionary France. Using literary, political, and juridical sources, it seeks to renew our knowledge of French theatre between 1789 and 1914.
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This work studies the meaning and manifestations of the art ofmise en scenein post-Revolutionary France. Using literary, political, and juridical sources, it seeks to renew our knowledge of French theatre between 1789 and 1914.