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Combining literary history, the poetics of genre, rhetoric, and reception history, this work seeks to show how the discursive practice of pathos in the tragedies of the years 1634-1648 contributed to the birth of the modern notion of lyricism.
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Combining literary history, the poetics of genre, rhetoric, and reception history, this work seeks to show how the discursive practice of pathos in the tragedies of the years 1634-1648 contributed to the birth of the modern notion of lyricism.