Examining Giovanni Bellini: An Art More Human and More Divine

Carolyn C. Wilson, Introduction: Giovanni Bellini, an Art ‘More Human and More Divine’, Colin Eisler, Giovanni Bellini’s Iris and Autopsia’s Stylistic Role, Amy N. Worthen, An Inconvenient Text: The Supplementum Chronicarum as a Source for Information about Gentile and Giovanni Bellini, Paul Hills, Vesting the Body of Christ, Brigit Blass-Simmen, ‘Qualche lontani’: Distance and Transcendence in the Art of Giovanni Bellini, Rosella Lauber, ‘Finito et ricercato mirabilmente’. Per nuovi contributi sul San Francesco nel deserto di Giovanni Bellini, ora nella Frick Collection di New York, Mauro Di Vito, ‘Per lo quale ennallumini la nocte’. Il verbasco fiorito del San Francesco che riceve le stimmate di Giovanni Bellini alla Frick Collection ed altri appunti di storia naturale, Elizabeth Perkins, Giovanni Bellini, Antonello da Messina, and the ‘Signs of Men’s Character’, Eveline Baseggio Omiccioli, A New Interpretation of Jacometto’s ‘Most Perfect Work’: Parallels in Portraits by Giovanni Bellini and Leonardo da Vinci, Karolina Zgraja, Two Drawings of a Male Head: A Contribution to the Study of Giovanni Bellini’s Drawings and Underdrawings, Antonio Mazzotta, A Portrait of Gabriele Veneto and Some Reflections on Giovanni Bellini’s Portraiture around 1500, Catarina Schmidt Arcangeli, Giovanni Bellini’s Private Devotional Images: A Boom around 1500, Costanza Barbieri, ‘Apparo i primi principi da Giovan Bellino allora vecchio’. Questioni aperte sulla formazione di Sebastiano, Beverly Louise Brown, Poetry in Motion: Bellini, Titian, and the all'antica Relief, Patricia Meilman, Always a Challenge: Bellini, Titian, and Some Portraits of Women, Peter Humfrey, The Reception of Giovanni Bellini in Britain (c. 1500-1900