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Exploring the main pillars of Panic aesthetics allows us to understand how the tension between the abject and the sublime is revealed in Fernando Arrabal’s theater, and to see that hope and the quest for the self move him away from a form of the tragic, becoming a means for accessing self-knowledge.
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Exploring the main pillars of Panic aesthetics allows us to understand how the tension between the abject and the sublime is revealed in Fernando Arrabal’s theater, and to see that hope and the quest for the self move him away from a form of the tragic, becoming a means for accessing self-knowledge.