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This essay studies the infinite variety found in literary texts based on an examination of genetic and intratextual authorial rewritings, the intertextuality that literary production feeds on, and editorial variations in meaning in the journey from text to finished book and in the process of reading and rewriting that is part and parcel of any translation.
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This essay studies the infinite variety found in literary texts based on an examination of genetic and intratextual authorial rewritings, the intertextuality that literary production feeds on, and editorial variations in meaning in the journey from text to finished book and in the process of reading and rewriting that is part and parcel of any translation.