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The book offers the critical edition of three multilingual dramatic texts which were performed decades apart. The first one (1578), by Guillaume Du Bartas, served as a pattern for the two others: Francois de Rosset (1597) and Isaac Despuech (1633).
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The book offers the critical edition of three multilingual dramatic texts which were performed decades apart. The first one (1578), by Guillaume Du Bartas, served as a pattern for the two others: Francois de Rosset (1597) and Isaac Despuech (1633).