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Two music lovers clash over two national styles: French and Italian. Debating the effects triggered by profane and sacred music, they make a contribution to the history of criticism while offering valuable information about musical life at the turn of the seventeenth and eighteenth centuries.
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Two music lovers clash over two national styles: French and Italian. Debating the effects triggered by profane and sacred music, they make a contribution to the history of criticism while offering valuable information about musical life at the turn of the seventeenth and eighteenth centuries.