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The present study will start from a reflexion on the relationships between staging and visual effects before turning to the dramatic works of Thomas Corneille in order to study the dramaturgic devices making it possible to institute the spectator as spectator, and help him along in understanding and interpreting the text.
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The present study will start from a reflexion on the relationships between staging and visual effects before turning to the dramatic works of Thomas Corneille in order to study the dramaturgic devices making it possible to institute the spectator as spectator, and help him along in understanding and interpreting the text.