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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From the early hours of the morning to the eerie stillness before a storm, RD Morgan's poetry exists in unsettling interstitial spaces. Meditations on the Possibility of Romantic Love in the South between Eras of Nuclear Weapons Proliferation is searing, gritty, and relentless, and it explores identity and isolation through a feminist lens within the landscape of the American South. The title's reference to Ross McElwee's 1986 documentary Sherman's March is mostly tongue-in-cheek, and plenty of humor and irony glints through the debris of broken relationships, dead-end jobs, budget cars, and lost homes. The book summons such disparate figures as Zora Neale Hurston, James Joyce, Erica Jong, Axl Rose, jellyfish, alligators, pelicans, clams, and Okavango lions. The biosphere of this book is diverse, and its language is an adventure.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From the early hours of the morning to the eerie stillness before a storm, RD Morgan's poetry exists in unsettling interstitial spaces. Meditations on the Possibility of Romantic Love in the South between Eras of Nuclear Weapons Proliferation is searing, gritty, and relentless, and it explores identity and isolation through a feminist lens within the landscape of the American South. The title's reference to Ross McElwee's 1986 documentary Sherman's March is mostly tongue-in-cheek, and plenty of humor and irony glints through the debris of broken relationships, dead-end jobs, budget cars, and lost homes. The book summons such disparate figures as Zora Neale Hurston, James Joyce, Erica Jong, Axl Rose, jellyfish, alligators, pelicans, clams, and Okavango lions. The biosphere of this book is diverse, and its language is an adventure.