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Banned from publication in the United States until 1966 for its assumed obscenity, immorality, and lack of literary merit, Fanny Hill, or Memoirs of a Woman of Pleasure (1749), is a novel considered to be the first original English prose erotica.
This is the tale of the titular Fanny Hill, told to us in her own letters with “stark naked truth.” Young, orphaned, and naïve, she recounts her early days of prostitution in bawdy eighteenth-century London and her dramatic rise to respectability.
An important work of political, social, and sexual parody and philosophy, the author himself was imprisoned at the time of publication for his depictions of sexual “deviance” as an act of pleasure rather than simply shameful. Fanny Hill deserves its place in continued publication not only for its role in securing rights for erotica, but for its surprisingly modern, explicit, and complicated depictions of sex, love-making, money-talk, and homosexuality.
This uncensored version is set from the 1749 edition and includes a new introduction by Chelsea G. Summers, as well as a conversational afterword between Summers and Jessica Stoya.
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Banned from publication in the United States until 1966 for its assumed obscenity, immorality, and lack of literary merit, Fanny Hill, or Memoirs of a Woman of Pleasure (1749), is a novel considered to be the first original English prose erotica.
This is the tale of the titular Fanny Hill, told to us in her own letters with “stark naked truth.” Young, orphaned, and naïve, she recounts her early days of prostitution in bawdy eighteenth-century London and her dramatic rise to respectability.
An important work of political, social, and sexual parody and philosophy, the author himself was imprisoned at the time of publication for his depictions of sexual “deviance” as an act of pleasure rather than simply shameful. Fanny Hill deserves its place in continued publication not only for its role in securing rights for erotica, but for its surprisingly modern, explicit, and complicated depictions of sex, love-making, money-talk, and homosexuality.
This uncensored version is set from the 1749 edition and includes a new introduction by Chelsea G. Summers, as well as a conversational afterword between Summers and Jessica Stoya.
Smith & Taylor Classics is an imprint of Unnamed Press, founded in 2024, combining Unnamed’s mission to uplift the unlikely and unexpected from around the world with editors Allison Miriam Smith and Brandon Taylor’s shared love of craftsmanship and classic literature.
Featuring both celebrated and lesser-known authors from the past, S&T seeks to reintroduce titles that pushed the boundaries of their time, and whose themes continue to resonate today. Each edition features a conversational afterword between two esteemed readers: established writers, critics, satirists, academics, scientists and more.