McSweeney’s three-time National Magazine Award-winning quarterly returns, in collaboration with Radiotopia (Ear Hustle, 99 Percent Invisible) to bring you our first ever audio issue. Made with further creative assistance by The Organist’s Andrew Leland, we promise you an indescribable object and unforgettable audio-literary experience.

Ever changing, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction.

Combining art, fiction, audio, and a slew of unclassifiable print objects in a custom box, McSweeney’s 64 is a riotous exploration of audiovisual storytelling. Each piece in the issue establishes its own relationship between audio and print-the contributor’s unique experiment in weaving the mediums.

Included are Rion Amilcar Scott with a short fiction piece featuring two alternative audio endings; Pulitzer Prize-nominated composer Kate Soper with a transhumanist, interactive software upload; DeafBlind poet John Lee Clark on the limits of accessibility; Claudia Dey, Jason Reynolds, Renee Gladman, Sharon Mashihi, and more taking us on audio tours of our own homes; Aliya Pabani with a radio drama whose plot is complicated by a 24″ x 30″ illustrated poster; Ian Chillag with an absurdist, interactive phone tree; James T. Green, Catherine Lacey, and This American Life’s Sean Cole with voicemail dispatches to the editor; National Book Award-finalist Kali Fajardo-Anstine, Aimee Bender, and Kelli Jo Ford with short stories that braid in audio; and so much more.