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The latest colorful, intimately gestural abstractions from Marley Freeman
This volume commemorates New York-based painter Marley Freeman’s (born 1981) 2019 solo exhibition of her abstractions at Karma with an essay by Lauren O'Neill-Butler, who writes that Freeman’s works offer an alternative, an option to opt-out of signifying monolithically.
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The latest colorful, intimately gestural abstractions from Marley Freeman
This volume commemorates New York-based painter Marley Freeman’s (born 1981) 2019 solo exhibition of her abstractions at Karma with an essay by Lauren O'Neill-Butler, who writes that Freeman’s works offer an alternative, an option to opt-out of signifying monolithically.