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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The seventh book in the series, Family Tree: Robes, Megaliths & Compartmented Designs, continues the discussion on robes begun in the preceding volume, focusing largely upon compartmented designs.The primary source is an unpublished manuscript written by Carl Schuster in 1958, which Carpenter expands into other chapters, to include additional cultures and epochs. Examples offered in this book range from Paleolithic to modern times, from Wales to Patagonia, with emphasis on Australian, Chaco, and Northwest Coast robe motifs. Carpenter compares them to Megalith carvings as prototypes for robe designs, or in reverse, evidence of their recorded continuity.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The seventh book in the series, Family Tree: Robes, Megaliths & Compartmented Designs, continues the discussion on robes begun in the preceding volume, focusing largely upon compartmented designs.The primary source is an unpublished manuscript written by Carl Schuster in 1958, which Carpenter expands into other chapters, to include additional cultures and epochs. Examples offered in this book range from Paleolithic to modern times, from Wales to Patagonia, with emphasis on Australian, Chaco, and Northwest Coast robe motifs. Carpenter compares them to Megalith carvings as prototypes for robe designs, or in reverse, evidence of their recorded continuity.