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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A selection from over 40 years of Bennett’s work, introduced by Ivan Arguelles. Where to begin writing about this baffling and certainly most avant-garde of all poets living and working in the USA today? Bennett’s reputation is international, and his interest in Mesoamerican culture has drawn him frequently to that part of the world where he is a recognized figure. His experimentations over the years have encompassed multiple techniques, including visual poetry, and his own polyglottery, moving in and out of English, Spanish, Portuguese, French or some Mesoamerican language. What may seem aleatory is in fact more intentional and grounded than is first apparent. Bennett has roots in traditional literatures, those of ‘Siglo de Oro’ Spain and of Elizabethan England, but he is capable of transducing those literatures, metamorphosing them by way of the avant-garde movements of the 20th century, into something utterly innovative and New, such as few contemporary artists have done.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A selection from over 40 years of Bennett’s work, introduced by Ivan Arguelles. Where to begin writing about this baffling and certainly most avant-garde of all poets living and working in the USA today? Bennett’s reputation is international, and his interest in Mesoamerican culture has drawn him frequently to that part of the world where he is a recognized figure. His experimentations over the years have encompassed multiple techniques, including visual poetry, and his own polyglottery, moving in and out of English, Spanish, Portuguese, French or some Mesoamerican language. What may seem aleatory is in fact more intentional and grounded than is first apparent. Bennett has roots in traditional literatures, those of ‘Siglo de Oro’ Spain and of Elizabethan England, but he is capable of transducing those literatures, metamorphosing them by way of the avant-garde movements of the 20th century, into something utterly innovative and New, such as few contemporary artists have done.