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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Eleanor Rees' Eyes in the Wood: Occasional Prose is a meditative and exploratory collection that considers poetry as a situated, permeable practice grounded in place, ecology, and attention. Moving between reflective essay, lyric fragment, and critical enquiry, Rees develops a poetics that is both relational and speculative, drawing on lived experience, myth, and ecological thought. Her prose resists academic fixity, favouring instead a dynamic, processual mode of thinking that unfolds through landscape, memory, and sensory perception. The result is a richly textured work that approaches language as a means of encounter-open-ended, affective, and materially bound.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Eleanor Rees' Eyes in the Wood: Occasional Prose is a meditative and exploratory collection that considers poetry as a situated, permeable practice grounded in place, ecology, and attention. Moving between reflective essay, lyric fragment, and critical enquiry, Rees develops a poetics that is both relational and speculative, drawing on lived experience, myth, and ecological thought. Her prose resists academic fixity, favouring instead a dynamic, processual mode of thinking that unfolds through landscape, memory, and sensory perception. The result is a richly textured work that approaches language as a means of encounter-open-ended, affective, and materially bound.