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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Yordan Eftimov's The Heart Is Not a Creator, translated by Jonathan Dunne, is a layered and formally restless collection that dissects emotional, political, and existential terrains with satirical precision and lyrical detachment. Moving between fragmented narrative, philosophical aphorism, and surreal image-making, the book creates a shifting poetic voice that questions belief, authorship, and the limitations of language. Bodies, borders, and histories emerge as unstable elements in a landscape where absurdity and intimacy coexist. Dunne's translation captures the tonal elasticity of the original, rendering a text that is at once cerebral, strange, and acutely alive to contradiction.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Yordan Eftimov's The Heart Is Not a Creator, translated by Jonathan Dunne, is a layered and formally restless collection that dissects emotional, political, and existential terrains with satirical precision and lyrical detachment. Moving between fragmented narrative, philosophical aphorism, and surreal image-making, the book creates a shifting poetic voice that questions belief, authorship, and the limitations of language. Bodies, borders, and histories emerge as unstable elements in a landscape where absurdity and intimacy coexist. Dunne's translation captures the tonal elasticity of the original, rendering a text that is at once cerebral, strange, and acutely alive to contradiction.