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‘Beautifully etched portrait of a woman who knows only extreme love. Wild, ferocious, she smells her son without biting him, but would suffocate him in her arms rather than see him leave her.’ - Figaro
Set in Marseilles, this is the story of Vanda, a beautiful woman in her thirties, arms covered in tats, skin so dark that some take her for a North African. Devoted to her six-year-old son Noe, they live in a derelict shed by the beach. She had wanted to be an artist; she is now a cleaner in a psychiatric hospital. But Vanda is happy living alone with her boy. ‘The two of them against the world’, as she says. Everything changes when Simon, the father of her son, surfaces in Marseilles. He had left Vanda seven years earlier, not knowing that she was pregnant. When Simon demands custody of his son, Vanda’s suppressed rage threatens to explode. The tension becomes unbearable, both parents fully capable of extreme violence.
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‘Beautifully etched portrait of a woman who knows only extreme love. Wild, ferocious, she smells her son without biting him, but would suffocate him in her arms rather than see him leave her.’ - Figaro
Set in Marseilles, this is the story of Vanda, a beautiful woman in her thirties, arms covered in tats, skin so dark that some take her for a North African. Devoted to her six-year-old son Noe, they live in a derelict shed by the beach. She had wanted to be an artist; she is now a cleaner in a psychiatric hospital. But Vanda is happy living alone with her boy. ‘The two of them against the world’, as she says. Everything changes when Simon, the father of her son, surfaces in Marseilles. He had left Vanda seven years earlier, not knowing that she was pregnant. When Simon demands custody of his son, Vanda’s suppressed rage threatens to explode. The tension becomes unbearable, both parents fully capable of extreme violence.