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With text in both English and Spanish
explores the prevalent presence of the Walt Disney Company within Latin America.
, to the 2013 attempt to copyright The Day of the Dead.
also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism.
The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others.
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With text in both English and Spanish
explores the prevalent presence of the Walt Disney Company within Latin America.
, to the 2013 attempt to copyright The Day of the Dead.
also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism.
The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others.