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Forms of Protest collects together for the first time the work of Hannah Silva, a poet and playwright known for her fearless and wholly original vocal performances. These poems and experimental texts oscillate between sense and nonsense, meaning and music, always testing the limits of language to represent the lived world. Words are felt both as arbitrary signs and as urgent physiological acts. Ranging in form from sound poems to collaged spam email, from monologues to lists of insults, and embracing subjects as diverse as war, sexuality and giant squid, Silva’s poetry is like nothing else you’ve read. Deconstructing the defunct languages of political and literary discourse, Forms of Protest claims a new space, a liminal zone between things as they sound - and things as they are. - REVIEWS Forms of Protest really blew me away, breaking truly new ground in the process of a fundamentally performative poet making the radical adjustments to the page, with such grace and skill, but also in a way that leaves something unique as a trace in this book SJ Fowler Forms of Protest is an exciting, enraged debut: you can feel the blood pulsing and can almost taste the bile. John Field, Poor Rude Lines Silva’s poems are unlike anything I’ve read … Her background in music, theatre and sound poetry inform Forms of Protest from the foundations up, and that the poems’ technical intricacy and often dispassionate removes are transferable to the page at all is a remarkable achievement. That so many successfully convey their political anger and emotional precision is a large part of what makes Forms of Protest a valuable book. Dave Coates
