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Independent Cinema
Paperback

Independent Cinema

$37.99
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Just what is ‘independent’ cinema? D. K. Holm aims to define a term all too carelessly used both by media commentators and marketers, and distinguish it from categories such as avant-garde, underground, experimental or ‘art’ films, with which it is often confused. By contrasting studio-era Hollywood with changes in the business since the 1970s, and the rise of companies such as Miramax and New Line, it shows the birth of a commercial environment in which the new independent cinema can emerge. Profiles of specific filmmakers suggest how diverse personalities use independent cinema for individual ends: directors such as James Mangold, who found indie cinema to be a stepping stone to more mainstream movies, Jill Sprecher, who uses its flexibility to explore philosophical ideas, and Guy Maddin, one of the few true independent filmmakers, whose films are beholden to his own unique vision rather than financiers or abstract audience markets. The accompanying DVD features Paul Cronin’s Film as a Subversive Art: Amos Vogel and Cinema 16 , a documentary profile about the founder of the New York Film Festival and America’s most important film society.

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MORE INFO
Format
Paperback
Publisher
Oldcastle Books Ltd
Country
United Kingdom
Date
18 January 2008
Pages
160
ISBN
9781904048701

Just what is ‘independent’ cinema? D. K. Holm aims to define a term all too carelessly used both by media commentators and marketers, and distinguish it from categories such as avant-garde, underground, experimental or ‘art’ films, with which it is often confused. By contrasting studio-era Hollywood with changes in the business since the 1970s, and the rise of companies such as Miramax and New Line, it shows the birth of a commercial environment in which the new independent cinema can emerge. Profiles of specific filmmakers suggest how diverse personalities use independent cinema for individual ends: directors such as James Mangold, who found indie cinema to be a stepping stone to more mainstream movies, Jill Sprecher, who uses its flexibility to explore philosophical ideas, and Guy Maddin, one of the few true independent filmmakers, whose films are beholden to his own unique vision rather than financiers or abstract audience markets. The accompanying DVD features Paul Cronin’s Film as a Subversive Art: Amos Vogel and Cinema 16 , a documentary profile about the founder of the New York Film Festival and America’s most important film society.

Read More
Format
Paperback
Publisher
Oldcastle Books Ltd
Country
United Kingdom
Date
18 January 2008
Pages
160
ISBN
9781904048701