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"Chazaro transforms the ranfla, the hooptie, and the G-ride into a spaceship, a time machine. He points our gaze to the sky and we long to take flight while simultaneously holding onto our roots and what keeps our feet on the ground."-Joseph Rios, Fresno Poet Laureate and author of Shadowboxing: Poems & Impersonations
In These Spaceships Weren't Built For Us, Alan Chazaro launches a speculative, lyrical odyssey through Latinx identity, diaspora, and memory, where the immigrant experience becomes a poetic voyage, rooted in resistance, love, and the enduring pull of home.
In his newest poetry collection, These Spaceships Weren't Built For Us, Alan Chazaro reconsiders the possibilities of space travel as the son of Mexican immigrants while navigating daily life across rapidly shifting social spaces. From barren gas stations in Central California during the height of the pandemic to faraway jungle planets governed by paleteros, Chazaro imagines the present and future in ways that are simultaneously bleak and dire, hopeful and beautiful, and seemingly, impossibly unrealized.
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"Chazaro transforms the ranfla, the hooptie, and the G-ride into a spaceship, a time machine. He points our gaze to the sky and we long to take flight while simultaneously holding onto our roots and what keeps our feet on the ground."-Joseph Rios, Fresno Poet Laureate and author of Shadowboxing: Poems & Impersonations
In These Spaceships Weren't Built For Us, Alan Chazaro launches a speculative, lyrical odyssey through Latinx identity, diaspora, and memory, where the immigrant experience becomes a poetic voyage, rooted in resistance, love, and the enduring pull of home.
In his newest poetry collection, These Spaceships Weren't Built For Us, Alan Chazaro reconsiders the possibilities of space travel as the son of Mexican immigrants while navigating daily life across rapidly shifting social spaces. From barren gas stations in Central California during the height of the pandemic to faraway jungle planets governed by paleteros, Chazaro imagines the present and future in ways that are simultaneously bleak and dire, hopeful and beautiful, and seemingly, impossibly unrealized.