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Vernon Watkins (1906-1967) was called by Kathleen Raine: ‘the greatest lyric poet of my generation.’ Dylan Thomas referred to him as: ‘the most profound and greatly accomplished Welshman writing poems in English’, or, in a letter, as ‘the only other poet except me whose poetry I really like today.’ Philip Larkin wrote: ‘In Vernon’s presence poetry seemed like a living stream, in which one had only to dip the vessel of one’s devotion. He made it clear how one could, in fact, 'live by poetry’; it was a vocation, at once difficult as sainthood and easy as breathing.‘ All Watkins’s poetry was published by Faber & Faber in his lifetime, and he was friends with such widely differing poets as: W.B. Yeats, T.S. Eliot, David Jones, Dylan Thomas, Marianne Moore, Philip Larkin, R.S. Thomas and Kathleen Raine. When he died, in 1967, he was being considered for poet laureate, after the death of John Masefield. Since that time, however, although a few have continued to praise his poetry very highly, public awareness of it has ceased almost completely, creating a bizarre gap in the perception of 20th Century poetry. 100 years after Watkins’s birth (June 27th, 1906), New Selected Poems of Vernon Watkins offers the first widely available selection of his poetry since his death, with a new introduction and notes, outlining the literary and biographical context of his work, and a foreword by Rowan Williams, the Archbishop of Canterbury. It is a rare joy thus to be reintroducing the work of a major poet to a new generation of readers.
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Vernon Watkins (1906-1967) was called by Kathleen Raine: ‘the greatest lyric poet of my generation.’ Dylan Thomas referred to him as: ‘the most profound and greatly accomplished Welshman writing poems in English’, or, in a letter, as ‘the only other poet except me whose poetry I really like today.’ Philip Larkin wrote: ‘In Vernon’s presence poetry seemed like a living stream, in which one had only to dip the vessel of one’s devotion. He made it clear how one could, in fact, 'live by poetry’; it was a vocation, at once difficult as sainthood and easy as breathing.‘ All Watkins’s poetry was published by Faber & Faber in his lifetime, and he was friends with such widely differing poets as: W.B. Yeats, T.S. Eliot, David Jones, Dylan Thomas, Marianne Moore, Philip Larkin, R.S. Thomas and Kathleen Raine. When he died, in 1967, he was being considered for poet laureate, after the death of John Masefield. Since that time, however, although a few have continued to praise his poetry very highly, public awareness of it has ceased almost completely, creating a bizarre gap in the perception of 20th Century poetry. 100 years after Watkins’s birth (June 27th, 1906), New Selected Poems of Vernon Watkins offers the first widely available selection of his poetry since his death, with a new introduction and notes, outlining the literary and biographical context of his work, and a foreword by Rowan Williams, the Archbishop of Canterbury. It is a rare joy thus to be reintroducing the work of a major poet to a new generation of readers.