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Critical Muslim’s Syria issue approaches the diversity of this rich culture as it is reborn through revolution, tortured by repression, and traumatised by war. Thomas Pierret illuminates the varying positions of Syria’s Muslims and Islamists; Rasha Omran writes about being an Alawi revolutionary; Robin Yassin-Kassab investigates the revolution’s artistic and cultural shifts; Firas Massouh appraises the role of workers and the left inside Syria; Louis Proyect castigates leftists in the West; Nader Attasi examines the successes of the revolutionary committees and the failures of opposition political elites; Hassan Hassan recounts the rise, fall and rise again of the Muslim Brotherhood’s Syria branch; Razan Ghazzawi questions her atheism under fire; Omar Hossino presents the town of Selemmiyeh as a non-sectarian model; Ross Burns asks what’s become of Syria’s unparalleled archeological heritage. Plus poetry from Golan Hajji, prose from Zakkariya Tamer and Lina Sergie Attar, an appreciation of Adonis’s verse, satire from Karl Sharro, and ‘the story of the bra’.
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Critical Muslim’s Syria issue approaches the diversity of this rich culture as it is reborn through revolution, tortured by repression, and traumatised by war. Thomas Pierret illuminates the varying positions of Syria’s Muslims and Islamists; Rasha Omran writes about being an Alawi revolutionary; Robin Yassin-Kassab investigates the revolution’s artistic and cultural shifts; Firas Massouh appraises the role of workers and the left inside Syria; Louis Proyect castigates leftists in the West; Nader Attasi examines the successes of the revolutionary committees and the failures of opposition political elites; Hassan Hassan recounts the rise, fall and rise again of the Muslim Brotherhood’s Syria branch; Razan Ghazzawi questions her atheism under fire; Omar Hossino presents the town of Selemmiyeh as a non-sectarian model; Ross Burns asks what’s become of Syria’s unparalleled archeological heritage. Plus poetry from Golan Hajji, prose from Zakkariya Tamer and Lina Sergie Attar, an appreciation of Adonis’s verse, satire from Karl Sharro, and ‘the story of the bra’.